These days I'm only a shadow of my former self, or else I would've already rowed out to the yacht that moored last night across from "Riverbend", and whose white anchor light I'd kept an eye on during the night, dreaming of the times when I was still dreaming of sailing away from it all.
There were many such moments, but reality - and an inborn feeling of obligation, of "doing one's duty" - always intervened, and I remained hide- and desk-bound, my one rejection of the conventional life being my rejection of a permanent job and moving from place to place.
Which is how Joseph Conrad begins his novel "The Shadow Line":
"Only the young have such moments. I don’t mean the very young. No. The very young have, properly speaking, no moments. It is the privilege of early youth to live in advance of its days in all the beautiful continuity of hope which knows no pauses and no introspection."
This short 1917 novel would have a difficult time finding a publisher today. For one thing, it’s about men. Only. There’s not a single female in its 128 pages. For another, it’s a sea story without much of a plot: a young sailor, never named, becomes captain of a ship and has to lead the ship and its crew through a lot of difficulties before reaching harbour. No pirates. No swashbuckling. No mutiny. No desert islands. No treasures. And, for that matter, no sex, no romance, no drugs.
Its subtitle, "A Confession", already seems to make it clear that it wasn't written to entertain but to offer the reader a chance to consider core questions of what it means to be alive. It's about an older man who is recounting with more than a little ruefulness a key moment in his life, a moment when he crossed the line — that shadow line — between boyishness and adulthood, between happy-go-lucky and battle-tested, between self-ignorance and grimly won self-knowledge.
The older man is recalling how, on the spur of the moment, he quit his ship and decided to return to his home port. It was, he says, the product of boredom, weariness and dissatisfaction. "My action, rash as it was, had more the character of divorce — almost of desertion. For no reason on which a sensible person could put a finger I threw up my job — chucked my berth — left the ship of which the worst that could be said was that she was a steamship and therefore, perhaps, not entitled to that blind loyalty which…. However, it’s no use trying to put a gloss on what even at the time I myself half suspected to be a caprice."
Strictly speaking, it's not an autobiography, but a heavily fictionalised, semi-autobiographical novel of Conrad's life, to which I can relate, albeit without the ship. Complex as it is, the French tried to make a movie out of it - in French. Get your dictionary out, sit back and relax.
Which is what I'm doing, as I sit on the verandah in the morning sunlight, with one eye on the yacht across the river to watch for any sign of life.



